26.Multiplication tables are building blocks for multi-digit calculations and solving problems based on fractions, percentages, and factoring. Will Adam Sandler, nominated for Hustle and Brendan Fraser, who received a nod for The Whale, be seated close enough to stage an Airheads reunion? Find out by streaming the SAG Awards live on the Netflix YouTube channel beginning at 5 p.m. “Even when we had to do a pandemic show on Zoom, that warmth was still there, laughing and joking together and having a great time and complimenting and supporting each other,” Coyne-Hoerle says. But regardless of who sits where, a friendly atmosphere is always the goal. Yes, even Steven Spielberg, whose cast of The Fabelmans is in the running for motion picture ensemble. Since this is an award show specifically for actors, directors and writers and other crew members are relegated to plus-one status if they want to support their films. “The hardest for me is when you have three pieces left and you're like, ‘These don’t really make sense together.’ And then something always happens - maybe somebody drops out maybe a presenter comes in that makes more sense for a table.” This year, the capacity is 840, though in the pre-COVID era there would usually be more than 1,200 people in attendance.īesides these logistics, they also consider the star factor: “It’s fun for the casts and talent to turn around and be like, ‘Oh my gosh, there’s my favorite TV show,’ or ‘Oh my gosh, there’s Brad Pitt,’” says Coyne-Hoerle.Īs the show approaches, sometimes difficulties compound, explains Coyne-Hoerle. Then they move on to the larger ensemble casts, which are often placed on the sides of the room, with their individual nominees seated along the two aisles made for the TV cameras to easily traverse.Īfter those are solidified, Coyne-Hoerle and her team place the presenters and other important guests until the room is filled. ![]() While each year’s setup is unique, Coyne-Hoerle and the SAG Awards brain trust - which includes awards manager John Bogulski, seating supervisor Dana Kenerson, awards coordinator Timothy Simmons and executive producer Jon Brockett - start in the center of the room called the “island,” with the life achievement award honoree in the middle (this year, Sally Field) and strategically placed ensembles and individual nominees around her (this year, the casts of Everything Everywhere All at Once and Abbott Elementary, thanks to their more compact numbers). It’s also kind of like a wedding with celebrities.”Ī wedding watched by millions, at that - meaning Coyne-Hoerle and her team must make sure individual nominees and presenters are sitting at tables with easy access to the stage, and that they’ve ensured an even mix throughout the room of film and TV casts. Coming up with a perfect layout each year is “a living, breathing puzzle,” Coyne-Hoerle says. Dramas are purple, comedies are green, and there are different hues for each medium. ![]() Each circle is covered with different colored Post-its to represent the TV and film casts up for one of the 15 SAG Awards, all voted on by the SAG-AFTRA union’s 130,000-plus members. ![]() ![]() One wall of Coyne-Hoerle’s office is plastered with a giant map of the tables that will dot the ballroom.
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